Anna dorothea therbusch biography for kids
•
Anna Dorothea Therbusch
German artist (–)
Anna Dorothea Therbusch | |
|---|---|
Self-portrait from | |
| Born | ()23 July Berlin, Kingdom of Prussia |
| Died | 9 November () (aged&#;61) Berlin, Kingdom of Prussia |
| Other&#;names | Lisiewski (maiden name) Madame Therbouche |
| Occupation | Painter |
Anna Dorothea Therbusch (born Anna Dorothea Lisiewski, Polish: Anna Dorota Lisiewska, 23 July &#; 9 November ) was a prominent Rococo painter born in the Kingdom of Prussia. About of her works survive, and she painted at least eighty-five verified portraits.[1]
Life
[edit]Anna Dorothea Therbusch was born in Berlin. She came from a noted family,[2] the daughter of Maria Elisabetha (née Kahlow[3]) and Georg Lisiewski (–), a Berlin portrait painter of Polish stock who arrived in Prussia in as part of the retinue of the court architect Johann Friedrich Eosander von Göthe&#;[sv].[4] Georg taught Anna, her sister Anna Rosina Lisiewski a
•
Three hundred years ago, on 23 July , Anna Dorothea Therbusch was born in Berlin, who would go on to become one of the most important women artists of the 18th century. To mark the tercentenary of her birth, in autumn of the Gemäldegalerie is honouring this extraordinary artist and forerunner of women’s emancipation with a focussed special exhibition featuring key works from the Staatliche Museen zu Berlin’s own collections.
The Unusual Career Path of Anna Doroethea Therbusch
The unusual career path of Anna Doroethea Therbusch (–) began early on. The daughter of the Prussian court painter Georg Lisiewsky, she and her siblings received her initial instruction as a painter from her father. As the wife of an innkeeper and mother of five children, however, for some time, her artistic abilities lay idle. In her forties, though, she dedicated herself to painting with great vigour, and in she was one of the few women to be accepted into Europe’s most important art school of the time,
•
The Art of Anna Dorothea Therbusch ()
Christina Lindeman
The Art of Anna Dorothea Therbusch (–) is the first English-language monograph on this exceptional German artist that critically examines Therbusch’s artworks and career as a history and mythological painter, portraitist, and maker of synthetic pigments within the German and international milieu that both condemned and celebrated her accomplishments. Adding to the excellent scholarship on French, British, Italian, and Swiss eighteenth-century women painters, this book showcases the social and cultural practices of court cultures beyond France, with a focus on German-speaking Europe and how a provocative woman painter navigated within them. Meticulous archival and literary research sheds new light on the importance of the family atelier as a place of networking, collaboration, and experimentation in the eighteenth century and provides a fresh perspective on the growing Prussian intellectual and mercantilist cultures and t