Resurrezione di cristo giotto biography

  • Title: Christ and Saint Peter; the Resurrection; Christ and Mary Magdalen ; Artist: Giovanni da Milano (Italian, born Lombardy, active Florence 1346–69) ; Date.
  • This is a faithful photographic reproduction of a two-dimensional, public domain work of art.
  • The artist's full name was Giotto di Bondone.

    • •

    Introduction

    1In the art of the medieval and early modern eras, in Christian Western Europe, Mary Magdalene is usually identified by the vase she holds1. Often referred to as her ointment jar, it is a commonplace to see this object as the alabastron of perfume that the sinner woman from the gospel of Luke broke to anoint the feet of Christ, or in her other guises as Mary of Bethany who anointed Christ and wept for her brother Lazarus’s death, to Mary of Magdala who came to anoint Christ’s bodily remains and wept in the garden at both his loss and his return with witnessing the Resurrection2. Further to this last en plats där en händelse inträffar ofta inom teater eller film she is identified with that other figure of tears and perfume, the Sponsa of the Song of Songs3. Hence perfume is in some sense the binding agent of the fragments that comprise this composite figure of Mary Magdalene, and it comes as no surprise that the jar containing it should serve as her primary attribute. While the saint’s tresses and tears are signifi

  • resurrezione di cristo giotto biography

    • •

    Diptych by Giovanni da Rimini

    Pair of paintings in London and Rome

    Among the paintings attributed to Giovanni da Rimini (fl. 1292–1336) are two panels from a former diptych, dated to 1300–1305, of which the left wing is in the collection of the National Gallery, London, and the right that of the Galleria Nazionale d'Arte Antica, Palazzo Barberini, Rome.[1][2]

    Giovanni da Rimini

    [edit]

    Giovanni, pictor (painter), later maestro (master), is known from legal documents to have lived in Rimini between 1292 and 1336. This Giovanni is thought to be the same as the artist of the inscribed crucifix (it) in San Francesco (it), Mercatello sul Metauro, inscribed IOH(ann)ES PICTOR FECIT HOC OPUS / FR(atri) TOBALDI, attesting to its creation by Giovanni the Painter, and dated 1309.[3][4] Three or four other crucifixes are identified as being by the same artist, influenced by that (it) of Giotto: the "Diotallevi” Crucifix (it), in the Museo

    •


    [1] Giotto di Bondone was a Florentine painter and architect. Outstanding as a painter, sculptor, and architect, Giotto was recognized as the first genius of art in the Italian Renaissance. Giotto lived and worked at a time when people's minds and talents were first being freed from the shackles of medieval restraint. He dealt largely in the traditional religious subjects, but he gave these subjects an earthly, full-blooded life and force.  
    The artist's full name was Giotto di Bondone. He was born about 1266 in the village of Vespignano, near Florence. His father was a small landed farmer. Giorgio Vasari, one of Giotto's first biographers, tells how Cimabue, a well-known Florentine painter, discovered Giotto's talents. Cimabue supposedly saw the 12-year-old boy sketching one of his father's sheep on a flat rock and was so impressed with his talent that he persuaded the father to let Giotto become his pupil. Another story is that Giotto, while apprenticed to a wool merchant