Julian cannonball adderley biography book
•
Walk Tall: The Music and Life of Julian Cannonball Adderley
Full review:
Julian "Cannonball" Adderley was an extraordinarily talented man who went too soon. He contributed so much in terms of the Jazz community, to the people he knew, and to whatever he set his mind to doing, whether it was teaching, playing music or dedicating himself to speaking out for civil rights. inom think the title's very appropriate, noting the common link of one of his works, because Adderle
•
Walk Tall: The Music and Life of Julian Cannonball Adderley (Hal Leonard Jazz Biographies) - Softcover
Walk Tall: The Music & Life of Julian "Cannonball" Adderley (Paperback)
Cary Ginell
Seller:CitiRetail, Stevenage, United Kingdom
(5-star seller)Seller rating 5 out of 5 stars
Paperback. Condition: new. Paperback. Cannonball Adderley introduces his 1967 recording of "Walk Tall", by saying, There are times when things don't lay the way they're supposed to lay. But regardless, you're supposed to hold your head up high and walk tall. This sums up the life of Julian Cannonball Adderley, a man who used a gargantuan technique on the alto saxophone, pride in heritage, devotion to educating youngsters, and insatiable musical curiosity, to bridge gaps between jazz and popular music in the 1960s and '70s. His career began in 1955 with a Cinderella-like cameo in a New York nightclub, resulting in the jazz world's looking to him as the New Bird,
•
Walk Tall: The Music & Life of Julian "Cannonball" Adderley
(Book). Cannonball Adderley introduces his 1967 recording of "Walk Tall," by saying, "There are times when things don't lay the way they're supposed to lay. But regardless, you're supposed to hold your head up high and walk tall." This sums up the life of Julian "Cannonball" Adderley, a man who used a gargantuan technique on the alto saxophone, pride in heritage, devotion to educating youngsters, and insatiable musical curiosity to bridge gaps between jazz and popular music in the 1960s and '70s. His career began in 1955 with a Cinderella-like cameo in a New York nightclub, resulting in the jazz world's looking to him as "the New Bird," the successor to the late Charlie Parker. But Adderley refused to be typecast. His work with Miles Davis on the landmark Kind of Blue album helped further his reputation as a unique stylist, but Adderley's greatest fame came with his own quintet's breakthrough engagement a