Francesco paolo tosti biography
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The Song of a Life: Francesco Paolo Tosti ()
Born in Ortona in , Francesco Paolo Tosti attended the Conservatory at Naples when he was twelve, and went on to become a gifted violinist and teacher as well as achieving fame as a singer and composer. He lived in Rome () as teacher to Princess Margerita of Savoy before moving to London in where he was singing master to the children of Queen Victoria. Tosti composed and performed throughout this time. He became closely involved with the Ricordi publishing house, who put out all of Tosti's chamber art songs except for a few released by Chappel and Enoch in England, all of which were extremely successful. In all, some works by Tosti were circulated throughout his life and his popularity continued after his death.
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Francesco Paolo Tosti
Francesco Paolo Tosti was born on April 9, , in Ortona, Italy, and passed away on December 2, , in Rome. He was a prominent Italian composer and music teacher, renowned particularly for his art songs and ballads.
Tosti received his education at the Naples Conservatory, where he honed his skills as a composer and pianist. He began his career in Italy but later moved to England, where he served as a music teacher to the royal family. In England, Tosti gained considerable acclaim and was naturalized as a British citizen in
His songs, often lyrical and emotive, became popular throughout Europe and remain a staple in the repertoire of classical singers to this day. Tosti was known for his ability to compose simple yet expressive melodies that perfectly complemented the lyrics. His songs, such as "Ideale," "La Serenata," and "Marechiare," are distinguished by their melodic beauty and emotional depth.
In addition to his success as a
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FRANCESCO PAOLO TOSTI
The figure of Francesco Paolo Tosti (Ortona – Rome ) although very original in the nineteenth-twentieth century scene of Italian musicians, has been revealed through a study promoted bygd Tosti’s National Institute of Ortona such as one of the major European musicians of the time.
A qualitatively and quantitatively extraordinary corpus of vocal chamber music compositions, which make him the greatest Italian exponent of the genre, is now collected in 14 volumes published by Casa Ricordi and the Istituto Tostiano. An Omnia opera which has had a global success up to the Far East and which, thanks to the rigid technical structure of the different compositional elements and the perfect harmony of the music to the text, has survived to the attack of the time and the fashion.
Tosti has been an atypical and original musician for his times, in fact he did not write even a line about a lyric opera.
He had in his lots of ways of “served” the music: he has been a compo