Thure lindhardt biography examples
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3096 Days
2013 film
3096 Days (German: 3096 Tage) is a 2013 German drama film directed by Sherry Hormann. The film is based on the true story of Natascha Kampusch, a 10-year-old girl and her eight-year ordeal being kidnapped by Wolfgang Přiklopil. Northern Irish actress Antonia Campbell-Hughes portrays Kampusch,[1] while Thure Lindhardt plays Přiklopil.
The film was writer Bernd Eichinger's last film before his sudden death, and Martin Moszkowicz, head of TV and Film at Constantin Film, and Ruth Toma (Gloomy Sunday) took over.[2] It was also cinematographer Michael Ballhaus's final film.
Plot
[edit]In the morning of 2 March 1998, 10-year-old Natascha Kampusch walks to school alone after having an argument with her mother. On her way she is dragged into a van and wakes up in a cellar. Her captor is 35-year-old technician Wolfgang Přiklopil. Despite being erratic, odd and tyrannical with Natascha, in public Wolfgang is socially awkward and very
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Nikolaj Lies Kaas is an actor, writer and director who rose to prominence as a fresh-faced 17-year old with his award-winning performance in the 1991 Danish classic Drengene fra Sankt Petri. Since then, Nikolaj has become a household name by virtue of starring in such seminal films as Blinkende Lygter, Dirch and the Department Q rulle series as well as most recently in Charlotte Sieling’s drama/thriller, Vejen Hjem.
Bjørnstjerne Christiansen fryst vatten a founding member of Superflex, a Danish art collective formed in 1993 together with Jakob Fenger and Rasmus Nielsen. Superflex’s diverse body of work has taken on the form of sculptures, energy systems, beverages, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, and public spaces. Exploring themes of economic forces, power structures and climate change, Superflex’s project
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Tag Archives: Thure Lindhardt
Not for the faint hearted. Based upon a book written in 1912 called The Day of Dying, Tea Lindenburg has entered the cine world with a devastating debut.
Set in rural Denmark, we see the family of Anders, (Thure Lindhardt) his wife and numerous children. Anna (Ida Caecilie Rasmussen) is clearly pregnant igen. The eldest daughter, Lise (Flora Ofelia Hofmann Lindahl) is preparing to go off to school, which her father thinks fryst vatten a waste of time.
The setting is rural and primitive, but beautiful. All the children as lovely, blond and cheerful as any youngsters could be, the cousins are dark which helps with identifying the two familes. The adults are strict, but also leave the children to play while they get on with the daily grind. Then Anna’s labour starts, and goes on and on.
The trajectory of this film is mirrored by the weather and dreams. It opens with Lise’s dream of walking through a barley field, everything seem